The talk examines so-called art&science practices as sites of alternative knowledge production: modes of research and knowing that operate alongside, and sometimes in tension with, scientific paradigms. It focuses on artistic practices affiliated with science and technology, rather than vice versa.
The talk argues for a shift from detached, universalizing knowledge toward situated, relational, and material forms of artistic research. In a world shaped by biotechnological innovation, environmental crisis, and computational systems, knowledge production is inseparable from questions of responsibility, material agency, and planetary belonging, including the arts.
To frame this condition, the talk introduces the concept of hybrid ecology: environments in which engineered and biologically evolved systems converge. These include gene-edited organisms, laboratory life forms, AI-generated entities, and ecologies emerging between natural, technical, and cultural domains. Hybrid ecologies destabilize distinctions between nature and culture, organism and artifact, origin and copy.
Within this context, art and artistic research are positioned as modes of inquiry and world-building. Artists navigate hybrid ecologies as practitioners of terrestrial accountability, responding to worlds shaped by entangled agencies rather than separable domains.
The talk is exemplified by art works from the speaker and other artists and researchers.